th◍usand m⬤⬤ns

My practice emerges in response to an era defined by industrial-military capitalism and deepening cultural decay. To counter these pathological trendlines, I deploy strategic backlooping and recombination—a methodology I approach as ontological design. The work foregrounds lines of flight, the weird, and affective structure, employing the full spectrum of color and the broad language of multimedia conceptual art.

I refuse to let any single register of signification or resonance dominate. Definitive statements and facile binaries are avoided; instead, I actively reject overdetermination, cultivating ambiguity and oscillation across references, tones, imagery, and conceptual frameworks. These networks are never seamlessly fused—their friction and disjunction are precisely the point.

[ original work . no a.i ]

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(IN)POSSIBLE HORIZONS

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